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Pierre J. Mejlak winning the Sea of Words European Short Story
Award (Barcelona, 2009) |
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I want to call
out to Samirah
winner of the Sea of Words Short Story Award
(translation: Pierre J. Mejlak & Antoine Cassar)
No. I'm not dead. And I'm not going to die. I'm sure I'm
not going to die. Because I'm still conscious. My brain is working.
So I'm ok. And now the pain has receded to the point where I can
hardly feel it. I'm fine. I'm just a bit dizzy, and extremely tired.
And I'm a little cold. But it's that comfortable kind of cold, the
kind you feel when you're running a fever, climb into bed and snuggle
up under the covers, hugging yourself, with your thighs against
your chest and your lips stuck to your knees. Now I'm trying to
move my legs, but even as I imagine them pressing against my chest,
nothing has moved. I try again, for the millionth time, to open
my eyes, but I can't. Or maybe they're open but I'm seeing only
darkness. Could I possibly have gone blind? No. How can that be?
And I'm going through everything over and over again, because it's
all very clear. Up until the moment it happened. My brain's working
perfectly. And to prove it to myself I'll work out my usual math
test. The famous four out of six. One goes and leaves two. So that
makes it four and two sixths ... four and one third. Right? See,
there's nothing wrong with my brain. And that was evident even before
I did my math test because I can remember everything. Like my name.
My mother's and my brother's. Our home address. My telephone number,
the VKJ 382 on my license plate, Samirah's address, the way to her
house. I can see The Three Lions bar, after which you take a right
turn and find yourself in her street. I remember my car, driven
by Samirah. The music of Ali Farka Touré blaring out of the
speakers. The blinding light of that huge truck, coming straight
at us. The car mounting the pavement. Samirah's scream. The fence
erupting, the clatter and jolt of the smash. That's it. And then
here. In this comfortable cold, this strange dizziness, this lethargic
heaviness.
So if I can remember everything, how come I cannot
see, hear or smell a thing? And why can't I speak? I open my mouth
but nothing comes out. Maybe I'm not even breathing. Could I be
dead? No. I can't be. And Samirah? Where did they take Samirah?
I want to call out to Samirah. Was she injured? She must have been,
at least a little. But she can't be dead! No, no, that's impossible.
I pray to God she's not badly hurt. No, Lord. Not Samirah. Not now.
No.
I feel like I'm falling asleep but I don't want
to sleep. Because if I fall asleep I might not wake up. And I can
remember a film, where someone was calling to someone not to fall
asleep. I can't remember which film. Or maybe it was a book. He
kept telling him, "Don't fall asleep, don't fall asleep",
because he was afraid that if he let him sleep he'd never wake again.
But - wait - where am I? In a hospital? But then wouldn't I be hearing
some noise? Like doctors and nurses talking or moving about, or
the noise of stretchers being pushed along the corridors, or the
bell of the arriving lift, the ringing of a phone, the sound of
a wheelchair, or at least of doors opening and closing?
Where am I?
No, I won't fall asleep. No matter what. I don't
want to sleep. I'm trying to remember what Samirah was saying just
before all this happened. Probably some anecdote about her family.
Yes, she was telling me about her cousin Rashidah, who had invited
her to their house for the feast of Eid. And Samirah wanted to take
me with her so I would see where she came from. Yes. She was telling
me something about Rashidah. But I can't remember exactly what.
Because by then we had already been blinded by the lights of the
oncoming truck. I wonder what she was going to tell me. As soon
as I see her I'll remind her and she'll tell me all about it. Because
I'm sure everything is going to be fine. I'll be by her side in
no time, and we'll pick up where we left off. Or maybe I'll wait
till we're together in bed. With her back pressing against my chest,
like two spoons, and our feet locked together, like a battery slipping
exactly into place. That's how I love to listen to Samirah's stories.
And now I'm thinking about our last night together, when I told
her I'd like to visit her country and to meet the cousins she talks
about so much. I want to see how they celebrate their Eid. To relive
a tiny part of her countless stories. Like the one when she wore
a flowered dress, and they went to her uncle's courtyard, where
the men had killed a sheep, and they prepared the meal. I'm trying
to remember the cousins' names. Ahmed. Fatime. Jihan. Zahra. The
cousins with whom she used to go to her grandparents for a little
pocket money. And the games they would play in her uncle's courtyard,
surrounded by olive trees. There - with the smell of dinner as it
cooked wafting over them - they'd play and run after each other.
And how they would paint one henna after another on the palm of
their hand. "Ah, the fun we used to have!" I hear her
telling me, in her tender, gracious voice, just like her, with her
hands holding mine around her chest. One day she'll paint a henna
on my palm too, with flowers of all sizes.
I had told her about our Easter, our Easter cakes,
and Easter meal, and the Pope's blessing, and how everyone would
stop chewing so as not to miss any of his ten words in Maltese.
And there she laughed, the laugh I loved so much. Her mushroom giggle!
Because the first time I heard it was just after we had finished
eating a mushroom pizza. And the Good Friday procession, and the
seven visits, and the washing of the feet. The Resurrection, and
the tradition of running at full speed with the statue lifted up
high. And she listens attentively, wishing that the following Easter
she'd live all this with me. And later tell her mother all about
it.
And that leads me to think of Rida - her mother
- and how I had never expected her to be so nice. Of the first night
I slept at their house. Of the second and the third. Of six months
later. Of the time when Samirah and I helped her make pastilla,
and of the long chat we had when we'd finished the pie and Samirah
went to do the dishes. That day when I told Rida that my mother
wasn't very happy about me dating Samirah. And Rida told me how
religion, sometimes, has a habit of driving people apart, instead
of bringing them together. And that it shouldn't be that way, because
all religions are about one thing - love. She had told me something
that I wanted to remember so much, so I could say it to my mother,
but I can't remember it now. But I do remember how she had squeezed
my hand that night - as if I were hers - telling me not to give
up because nothing changes faster than people and the way they think.
And I can hear my mother's voice. "Marry anyone you like, a
Japanese, Russian, gypsy, but not a Muslim." And how I tried
to tell her that what she was saying just didn't make sense. I had
never expected it of her, because in all my life I had never known
her to lack good judgment. She had always been much smarter than
other women her age. But when it came to Samirah she disappointed
me big time. How could anyone think that being a Muslim meant being
dirty? Or that they wore layers of clothes on top of each other?
Or that they swam wrapped up in a sack? Or that Muslims cooked in
the bedroom? How could she possibly think like that? How could I
have been so wrong about my mother? At school I used to be so proud
of her, because compared to the other mums, she was amazing. Because
while others used to leave the Jehovah's witnesses outside or drive
them away, my mother would throw them a little party. Later she
asked me about Samirah's father. When I told her that she didn't
know him, I saw in the expression of her face that she had got her
answer, the answer she had been looking for. And I felt like asking
her about my own father, but for once I held back.
Another time I had shown her some pictures of Samirah.
Some of when she was still a child, taken during Eid. And there's
one where she's taller than all the cousins, with her huge, black
eyes. She was wearing a jellaba, which someone had made her specially
for the occasion. She was the most beautiful one on that day and
everyone had said she looked like Barbie and called her 'Barbie
Jellaba'. But my mother didn't think she looked like Barbie. She
only said one word. 'Interesting'. And she left to take down the
laundry, knowing that with one word she had pronounced a thousand.
And when I hinted at this to Samirah, she understood everything
right away, and never said a word against my mum. Every time she
saw me getting angry, she would calm me down. I wonder what my mother
would say if she were to know that it was Samirah who chose and
bought her my Christmas present, after a whole week of looking for
it up and down the city.
If I let myself go I'll fall asleep. But I don't
want to sleep. I want to stay awake until I can hear a noise, any
noise. Until I open my eyes and see where I am. Perhaps I'm next
to Samirah and I don't even know it. Maybe Samirah is by my side,
saying "don't sleep, don't sleep". And there's no way
I'm going to disappoint Samirah.
Sometimes I wish I had been born in Samirah's country.
Ideally on the streets close to hers. Somewhere between the large
bamboo curtain shop and the tea shop, where - Samirah says - her
uncle spent most of his life solving the world's problems. Perhaps
we would have played together as children. Things would have been
so much easier for us. And at Eid we would all have gone to their
place, to her uncle's courtyard, or they could have come to ours.
Time is passing by and still no sound. I want to
hear Samirah's voice. And feel her hands on my face ... her gentle
fingers on my lips ... her smell ... The pain seems to be returning,
I'm starting to become confused. The void around me squeezes me
from all sides. Like a boy blindfolded and thrown into the middle
of a mischievous mob. I recall a similar game we used to play as
children. But I don't remember blindfolding the boy in the middle,
so I can't understand why he never had any idea who was pushing
him around.
I'm tired. I know that if I relax, if I stop thinking,
I'll fall asleep. And I don't want to sleep. Because if Samirah
comes while I'm asleep she won't wake me. And now I've made up my
mind that as soon as I see Samirah, the first thing I'll do is tell
her that I love her. Then I'll tell her that she did nothing wrong.
That tonight the fault was mine as much as hers, that actually it
was the truck driver's fault, blinding us with his bright lights.
And that I shouldn't have let her drive. And the car, whatever's
left of it, is not important. The important thing is that we're
both safe and sound. I'll tell her again that I love her, and that,
no, I could never imagine life without her. And one day when we
have children, we'll take them to her country, for the feast of
Eid, so that they too will go to her uncle's courtyard, and run
and play with Amal, Farid and Habib, in that joyous cacophony which,
sometimes, in the peaceful quiet of the car on Sundays, she misses
so much.
But we must have been hurt. Both of us. Because
we were brought to this hospital. Maybe we lost consciousness with
the smash. We must have been taken out of the car and brought here.
They put me in one place, and Samirah in another. Or maybe we're
side by side but neither of us knows it. Just the thought that Samirah
may be lying close to me excites me. I’m trying to will my
hand out from under the blanket, stretching it out to touch Samirah,
and when I think that I 'm actually touching something, I realise
that my hand is still lying where it was, under the blanket.
And I'm thinking that if we're in hospital, then
they must have called home. They must have found my ID in my wallet,
or something in Samirah's bag. Or maybe they found my mobile, and
all they had to do was to dial 'mum'. And if they called both of
them, then probably they're both out there right now, waiting to
see us. My mother on one side, hers on the other. I wonder if they'll
recognise each other. Whether they'll realise whose mum the other
is. Will they be alone? Or will the emergency room be full of people
even at this hour? I feel as if I'm about to fall asleep. There's
this terrible weight, pressing on me.
And now there's a doctor, one of many working here,
and he's calling them by their name.
Mrs Vella?
Mrs Azzi?
And they fly off their chairs, look at each other
and move closer to the doctor. He's telling them what happened.
He asks them to wait and goes back inside. And the two women, woken
by a chilling telephone call in the middle of the night, sit down
back on their chairs. They're both crying and looking at each other
with haunted eyes. The one closer to the door gets up and moves
closer to the other woman, who's sitting beneath a noticeboard full
of posters about the effect of drugs and about pregnancy. The other
woman begins to weep more intensely, and the woman wearing an abayah
holds her hand. And now they're crying together. They both pray
fervently for those they love so dearly not to be taken away from
them. Not yet. No.
"To think we had to meet here," the woman
dressed in black is saying, as she wipes her nose with a wet tissue.
"Who would have imagined it?" the other
replies, her eyes blood red and her hands shaking. "Who would
have imagined it?"
"I've been wanting to meet you for a long time."
Then nothing. After a while, the woman continues.
"I've heard many nice things about you."
"About you too."
Then nothing again. Two hearts beating the same
hope.
"How happy they were together!"
"They are, they are."
And they both stare at the reflection of the light
on the floor tiles, unable to believe where they are.
"He loves you very much, you know? He talks
about you often."
Time passes. The other woman remains silent, then
speaks.
"Lately he was staying at your house more than
at mine."
"It's my pleasure. He's a good boy and easy
to love."
"Your daughter too, from what he says."
"Samirah loves him. I never saw her so happy."
"I don't remember him so happy either."
And with those words, she breaks into tears again,
and the other woman puts her arms around her and comforts her. And
they both close their eyes and give a silent prayer.
And now the door opens again, and the doctor comes
out, his face pale and drawn. They stand up.
"Would you care to follow me? I'd like to talk
to you."
And again they hold hands, squeezing them tightly,
and follow him.
And I see them, hand in hand, entering the doctor's
office - and now I really want to call out to Samirah.
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